The Okie-Dokies. Sun Rhythm Section. Russ Abbot. Jools Holland. Linda Gail Lewis. The Stargazers [GB2]. Lowell Fulson. I Love Rock and Roll. Tiny Tim. Willie and The Poor Boys. Andy Lee. Flash Cadillac. Doc Watson. The New Sunsets.
The Rocking Vickers. Mike Lorentz and The Rockin' Devils. Don Rader. Larry Donn. Martin Fontaine. The Beatles. Little Milton. Patsy Cline. Billy Price. Ace Moreland. Micke Muster. Billy Branch and The Sons of Blues. Barbara Morrison. Rebel Dean and The Star Cats.
The Irish Mist. Ricky Norton and The Hot Rocks. Bob Luman. Flemming Ostermann. Matt Lewis. Chick Roberts. Tom Green. Michael Rand. Terry Mike Jeffrey. Cagey Strings. Shake Rattle n Roll. Johnny Red. New York Minute. Jeff Healey. Rob Rio. Haley had started his career in country music while Turner was a blues shouter.
Comparing the two versions illustrates the differences between blues and rock 'n' roll. A simple, stark instrumental backing is heard on the Turner version. Where Turner's version uses a walking bass line, the Comets version, produced by Milt Gabler of Decca Records, features an energetic slap bass. A subdued horn arrangement in the Turner recording can be contrasted with a honking sax riff that answers each line of verse in Haley's version, and the entire band shouts "Go! While Turner sings about "all that mess" that "belongs to you" as "the sun comes shinin' through" "those dresses;" Haley notes the dresses and "hair done up so nice," "You look so warm, but your heart is cold as ice.
Although musical revisionists and American media tried to paint Turner as a victim of the music industry due to Haley's covering of the song, in fact Haley's success helped Turner immensely although Turner was a well-established performer long before "Shake, Rattle and Roll".
Listeners who heard Haley's version sought out Turner's. The two men became close friends, and performed on tour together in Australia in In , at a time when Turner's career was at a low ebb, Haley arranged for his Comets to back the elder musician for a series of recordings in Mexico , although apparently Haley and Turner did not record a duet version of "Shake, Rattle and Roll". Haley acknowledged Turner's version in later years by incorporating more of the original lyrics into his live performances, including adding the verse with the lines "I've been over the hill and I've been way down underneath" which was omitted from Haley's original recording, when he recorded the song for Stuart Colman 's BBC Radio program in October In Turner's version, the girl is ordered to "get out of that bed"; Haley changes it "get out in that kitchen", nonetheless, in his version she is directed to "roll my breakfast cause I'm a hungry man".
In other words, she has spent the night with the singer in both versions. When Joe Turner performed the song in the film Rock 'n' Roll Revue , he chose to sing the Bill Haley version of the opening verse. Both versions sold over one million copies, making "Shake, Rattle and Roll" the first giant rock 'n' roll hit. Elvis Presley recorded the song [4] twice in a studio setting: a demo recorded at radio station KDAV in Lubbock, Texas in January [13] while under contract with Sun Records this recording that was not released until the s and as a single for RCA Victor , although it was not a major hit.
Both versions by Elvis mixed Haley's and Turner's lyrics with a faster-paced version of Haley's arrangement. Although the commercially released version used Turner's "bed" version of the opening verse, alternate takes released by RCA in the s indicate Presley originally intended to begin the song with Haley's "kitchen" verse. I believe you're doing me wrong and now I know. Well, I said shake, rattle and roll I said shake rattle and roll, I said shake, rattle and roll I said shake rattle and roll, well you won't do right to save your doggone soul.
I'm like a one-eyed cat peeping in a seafood store I'm like a one-eyed cat peeping in a seafood store Well, I can look at you and tell you ain't no child no more. And you wear them dresses the sun come shining through. I can't believe my eyes all in there belongs to you. I went over the hill, way down underneath I went over the hill, way down underneath You make me roll my eyes and then you make me grit my teeth.
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